His lyrics evoke the turbulent feelings that gripped so many of us in the spring of last year – something it’s easy to forget when we’re all posting our second vaccination selfies on social media and looking forward to gigging again. “In fact we were saying to each other it’d be great when The Strangest Times feels like a period piece, when it’s all behind us.” “I was just saying to Greg the other week that it probably will date,” Longdon says with a smile. Inevitably, though, there’s no doubt this will be seen as BBT’s “lockdown album”, and even if the sentiments of The Strangest Times end up sounding anachronistic quite quickly, that’s been no deterrent to them. ![]() It’s not so much a new Big Big Train sound, then, as a wider-ranging one. This combination is accompanied by a musical approach that sometimes paints with broad strokes, and at other times weaves the more complex instrumental tapestries Big Big Train fans have come to expect. Hence Common Ground also features a clutch of narrative-based songs, such as the 15-minute penultimate track Atlantic Cable, but more on that later. ![]() ![]() I thought we need to have a balance of new ideas and some more traditional storytelling stuff.” Nonetheless, as Greg Spawton tells Prog alongside Longdon on a joint Zoom call, “I didn’t want to throw out the baby with the bathwater. That approach manifests itself in a collection of songs and instrumentals that noticeably lean more heavily on personal feelings rather than stories of fascinating figures, and a number of melodically and emotionally direct songs, which seem to chime with times where we’re all feeling less inclined to take for granted the people, the places and the experiences that mean most to us.
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